Astrolabe

Year
2014
Duration
11'
Instrumentation
Flute, Clarinet/Bass Clarinet, Violin, Violoncello, Percussion, Piano
Category
Chamber Ensemble

Written for the Da Capo Chamber Players' 2014 residency at Duke University

Recorded by Patricia Spencer, Meighan Stoops, Curtis Macomber, Jay Campbell, with guests Stephen Beck and Michael Lipsey

Text Source

  • Geoffrey Chaucer , A Treatise on the Astrolabe (Oxford University Press) © 1900, public domain
  • Walt Whitman , Leaves of Grass (Rome Brothers) © 1855, public domain

Recordings

Recording
Score follower video

Album Recordings

Performance History

  • Premiere
    Sandra G. Powell Recital Hall, University of Tennessee, Knoxville, TN
    Christopher Schelb, David Floyd, Sarah Compton, Hannah Mayer, Andrea Violet Lodge, and Justin Lamb
    nief-norf Festival
  • Merkin Hall, The Kaufman Center, New York, NY
    Da Capo Chamber Players

Scores

Astrolabe Full Score

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The astrolabe is an astronomical device used to solve problems relating to time and the position of the celestial bodies in the sky. It was the primary astronomical education tool of ancient times, and as such astrolabes were fashioned by various cultures around the world for both scientific and astrological purposes. Aesthetically, the astrolabe was regarded as a symbol of the universe and as an object of great beauty. Astrolabe seeks to interpret the mystical and scientific properties of the device and to consider the implications of time and positioning in musical space. Over the course of the work, several disparate musical elements are combined in new ways, each time with shifts in texture and mood, in much the same way as the moving components of the astrolabe are manipulated to solve for solutions to astronomical problems. The mystical and supernatural properties of the astrolabe, which date back to its early history as an instrument of astrology and divination, are reflected in musical passages incorporating the players’ voices. The text is compiled out of three public domain sources: star names from constellations of the zodiac, excerpts from Geoffrey Chaucer’s Treatise on the Astrolabe, and Walt Whitman’s poem “Kosmos.” Untrained voices and text are employed to convey the dramatic intensity of the symbolic forces represented by the astrolabe, and to further the expressive potential of the musical textures in which they interact.